This guitar is exceptional in several ways. On the one hand, it is one of the few Ibanez Les Paul copies with a set neck, on the other hand, it was only made for one year and is hard to find. It only came across my hands once and it was the lucky opportunity to be able to buy it. It also offers something remarkable in terms of sound.
Ibanez brought this guitar onto the market in 1976/77 with the model name 2650. No other guitar from this company has come closer to the original. Its (pancake) body consists of several pieces mahogany with a curly carved maple top. It is really solidly built, there is no gap between the top and the body.
The set neck is made of three-piece maple with an ebonized rosewood fingerboard.
It has all the features of a Les Paul Custom such as bindings on the top and bottom of the body as well as on the neck and headstock. The fingerboard is equipped with block inlays.
Unfortunately the hardware is not original, the bridge and tailpiece were replaced with parts from Gotoh and the tuners come from Duesenberg. The original Super 70 humbuckers have been replaced by Super 80 pickups. At least the guitar has not been structurally touched and all replaced parts are more or less consistent.
The neck profile has a fairly full C shape. The frets were probably replaced recently and show no signs of use. The playability is very comfortable and the setup is perfect.
When it comes to sound, the sun rises here, it has an incredibly fast and clean response. Chords always sound clear and defined with a touch of twang. The neck pickup in particular delivers a tone with a depth and clarity that is impressive. This guitar has sustain to a degree that is hard to believe. The Super 80 seem to fit perfectly here.
An interview by Lester Pollfuss aka Les Paul comes to mind, in which he described his early experiences with electric guitars something like this:
‘You can pick up a string and go out to eat. When you come back it still sounds.’
I don’t know where he went to eat, but if this comparison can apply, it would be here.
It’s actually the best sounding Les Paul I’ve ever come across. I’ve owned a few Les Pauls, including two Gibson and two Heritage, but none had this distinct tonal quality.
08/22/2024 at 10:50
Wow, what a beautiful guitar, even with the mods.
Unfortunately I never was lucky enough to run across a 2650 and be the first to pull the trigger.
Some years ago one of the VERY few 2650 made with the Open Book headstock and Diamond Logo showed up in a local classified ads site.
And while I still was considering to hit the button, the asking price was a bit on the high side, some collector from the US whom I even know from ICW made the deal π
Anyway, great axe. Have fun π
08/24/2024 at 08:09
I know this feeling very well and unfortunately the prices are becoming increasingly unrealistic. Here I was very lucky to come across a very friendly guy who wanted his guitars to be in good hands rather than selling them for a high price. The Artist 2617 also comes from him and together with this 2650 he sold me these guitars at a more than fair price. I’m very grateful for this and will take great care of, play and enjoy these guitars.They are musical instruments that should be played and not kept in a display case. Maybe one day you’ll be lucky too. π
Thank you for your comment and best regards….
11/23/2024 at 14:48
I have one of these July 77, black and it’s a 3-pickup model. Not sure when the 3rd Super 80 was added.
This model changed A LOT over its short period of existence.
Earlier models have a rosewood fretboard, the Super 70’s, traditional TOM bridge and tailpiece, etc.
As the model progressed over the months, the fretboard was changed to ebony, Super 80s pickups and their copy of the Gibson Harmonica bridge, the Gibraltar 1. They had a list price in ’77 of $495.00, which is about $2,500.00 in 2024. According to Ibanez price lists from the era that I’ve found online, this was Ibanez’s most expensive guitar up to that point. For comparison the standard Gibson LP list price was around $580 in ’77.
It’s the best LP I’ve ever owned. The action on mine can be set incredibly low and it stays there even with seasonal changes. I have swapped the Super 80’s out for Lollars. Shame they didn’t have the Ibanez Super 58s that came out after the Super80s.
They’re heavy, seriously they are heavy, but my neck profile is essentially a 60’s Strat “C” shape. The fretboard is .5mm narrower than my Gibson Les Pauls.
THANKS for posting your pics. Beautiful guitar…and I know how well they play!
At some point I’ll add mine, there’s some info on it I want to track down.